Remixing musical identity: Dub and reggae studies 2500-OG-EN-RMI
I. A history of the African diaspora in Jamaica; postcolonial theory of Caribbean identity.
II. The African roots of reggae music (burru, nyabinghi, mento, rocksteady and blue beat, ska).
III. A social and political context of reggae.
IV. A history of Jamaican radio and early recording studios.
V. Sound system culture.
VI. Dub mixing techniques.
VII. Reggae and dub music legends.
VIII. Jamaican afrofuturism.
IX. A history of reggae music in Poland and the countries of the Eastern Bloc.
X. Summation, recapitulation and test.
Total student workload
Learning outcomes - knowledge
Learning outcomes - skills
Learning outcomes - social competencies
Teaching methods
Prerequisites
Course coordinators
Assessment criteria
Assessment methods:
np.
- test
- activity
Assessment criteria:
test:
The examination consists of a test (in English) at the end of the lecture based on the content of the lecture (10 questions).
fail- 5 pts (50 %)
satisfactory- 6 pts (60%)
satisfactory plus- 7 pts (70%)
good - 8 pts (80%)
good plus- 9 pts (90%)
very good- 10 pts (100%)
Additional information
Additional information (registration calendar, class conductors, localization and schedules of classes), might be available in the USOSweb system: