Dystopian and Anti-utopian Worlds in Movie and Television Culture 2500-OG-EN-DAUW
1. Theories of dystopia and anti-utopia (I)
2. Theories of dystopia and anti-utopia (II)
3. Beginnings: Escape from New York (1981)
4. Beginnings: Blade Runner (1982)
5. Case studies: Black Mirror, 2011- – selection (I)
6. Case tudies: Black Mirror, 2011- – selection (II)
7. Case studies: Black Mirror, 2011- – selection (III)
8. Classical visions: MadMax (2015)
9. Adaptations and variants: The Lobster (2015)
10. Intersection between future and past: Westworld, 2016- (I)
11. Intersection between future and past: Westworld, 2016- (II)
12. Between dystopia and history: Chernobyl, 2019- (I)
13. Between dystopia and history: Chernobyl, 2019- (II)
14. Classical visions: Snowpiercer, 2020- (I)
15. Classical visions: Snowpiercer, 2020 (II) + test
Total student workload
Learning outcomes - knowledge
Learning outcomes - skills
Learning outcomes - social competencies
Teaching methods
Prerequisites
Course coordinators
Assessment criteria
Assessment methods:
- test during last classes, online
- activity
Assessment criteria:
- continuous assessment of attendance and activity during classes;
- final test, as follows:
fail – 0-10 pts (50%)
satisfactory – 11-12 pts (55-60%)
satisfactory plus – 13-14 pts (65-70%)
good – 15-16 pts (75-80%)
good plus – 17-18 pts (85-90%)
very good – 19-20 pts (95-100%)
Practical placement
Not applicable
Additional information
Additional information (registration calendar, class conductors, localization and schedules of classes), might be available in the USOSweb system: